Who We Are
He had had no such outlet for his creative energies while in prison.
With the help of a small group of dedicated and wonderfully supportive friends, some of whom are still on the board, I set up Kestrel almost twenty years ago now. The guiding principle behind the company was, and is, creatively to use drama within the prison system. But it was also to provide a company structure which could independently raise funds for prison work, rather than relying on the prisons themselves being able to afford it, from what tend always to be tight and overstretched budgets. We hoped this would ensure the independence of the work, and maximize the creative freedom of those involved, as we would not necessarily have to satisfy existing remedial or rehabilitative agendas. We were right.
Though no longer active at Kestrel, since I now live and work in the USA, I remain proud to see the company continuing to do work that is not only an outlet for the creative energies of those involved, but can in some cases be life-changing. We never claimed to be therapists, or social workers – indeed, we always took pains to point out that we were not. But the work can have a similarly profound impact.
Long may it continue. Long may the caring and enlightened continue to support it.”
Mek is a barrister practising from Crown Office Chambers. He specialises in commercial and civil disputes. Mek has been involved in prison-orientated initiatives for a few years and has provided debating training and mentoring to inmates across London.
Holly Race Roughan
Simon Longman is a playwright from the West Midlands. His plays include Island Town (Paines Plough), Gundog (Royal Court), Rails (TBTL), White Sky (RWCMD/Royal Court), Sparks (Old Red Lion) and Milked (Pentabus Theatre Company). In 2018 he was awarded the 49th George Devine award for Most Promising Playwright. For Kestrel Simon was the writer on both our Broken Dreams projects with The Royal Court Theatre and has run our playwriting workshops in HMP Grendon.
Jason York is an actor on both stage and screen, mostly recently in Passages: A Windrush Celebration at The Royal Court Theatre, and The Home, an experiential entertainment about residential care. For Kestrel he has worked as an acting consultant for both Broken Dreams projects and for Jack Aladdin The Beanstalk. He also runs our Drama Club at HMP Springhill.
We first met Nathanial at HMP Springhill were he took part in our first collaboration with the Royal Court, Blood and Water, and then in a short film The 360° Man. After leaving prison he got a place on the Sara Putt Associates Foundation Scheme in Film and TV, and since then has worked as runner, floor manager, and most recently as an editor for Netflix. He was also an actor in Secret Cinema’s version of Baz Lermann’s ‘Romeo and Juliet’. He has spoken about his work with Kestrel on a number of occasions including at On Form (pictured)