Who We Are
Patrons
Rob Clare
Founding Patron
“In the theatre, during my working lifetime, I heard a lot spoken by my colleagues about the need to reach out to new audiences. In the late 1980s, I happened to get to know a man who had spent over twenty years in prison. He was intelligent, creative and articulate, and hugely enjoyed the theatre – which he was only just beginning to experience, having married an actress/writer friend of mine shortly after his release.
He had had no such outlet for his creative energies while in prison.
With the help of a small group of dedicated and wonderfully supportive friends, some of whom are still on the board, I set up Kestrel almost twenty years ago now. The guiding principle behind the company was, and is, creatively to use drama within the prison system. But it was also to provide a company structure which could independently raise funds for prison work, rather than relying on the prisons themselves being able to afford it, from what tend always to be tight and overstretched budgets. We hoped this would ensure the independence of the work, and maximize the creative freedom of those involved, as we would not necessarily have to satisfy existing remedial or rehabilitative agendas. We were right.
Though no longer active at Kestrel, since I now live and work in the USA, I remain proud to see the company continuing to do work that is not only an outlet for the creative energies of those involved, but can in some cases be life-changing. We never claimed to be therapists, or social workers – indeed, we always took pains to point out that we were not. But the work can have a similarly profound impact.
Long may it continue. Long may the caring and enlightened continue to support it.”
Roger Graef
Patron
Roger Graef is a multi award winning and ground breaking documentary film maker and criminologist and patron of Kestrel Theatre Company. His work tackles issues of social justice with a view to changing lives and making a difference to the world in which we live.
The Board
Jim White
Chair
Jim White is a long-serving newspaper reporter, author and broadcaster who has been involved in Kestrel for the past 15 years. He has been chair since 2009. A passionate advocate of improving educational opportunities within the criminal justice system, through observing Kestrel’s work at close quarters, he has been ever more convinced of the particular educative power of drama and film.
Mek Mesfin
Mek is a barrister practising from Crown Office Chambers. He specialises in commercial and civil disputes. Mek has been involved in prison-orientated initiatives for a few years and has provided debating training and mentoring to inmates across London.
Judith Ptaszynski
Simon Tennant
Finance Director
Simon Tennant is a qualified accountant and management consultant and is our Charity’s Finance Director. Over the last thirty years, as a Director at Pricewaterhouse Coopers and Partner at PA Consulting Group, he has worked with Clients across Industry and Government to change ways of working and improve financial performance.
Peter Watson
Peter Watson’s career spanned both private and public sectors, in marketing, information systems and fundraising. He worked for many years in higher education fundraising and alumni relations for the universities of Oxford and Warwick and latterly for Lady Margaret Hall, one of the Oxford Colleges, where was elected to an Emeritus Fellowship on his retirement.
Artistic Team
Arabella Warner
Artistic Director
Arabella Warner is a producer, director and scriptwriter for children’s television, working on many award winning shows. She believes passionately in the positive power of the arts to change the outlook of those marginalised in our society. She has been involved with Kestrel’s work for many years and been Kestrel’s Artistic Director since 2015.
Holly Race Roughan
Associate Director
Holly Race Roughan is Associate Director on the National Theatre and Headlong’s People, Places and Things, and is directing the UK Tour with Jeremy Herrin. As a director she works in new writing, and has made work at the Royal Exchange in Manchester, the Southwark Playhouse and Theatre 503 in London, directed for the Royal Welsh College of Music & Drama and Central School of Speech and Drama. For Kestrel Holly has directed The 360° Man, Blood & Water and Sky Fall at HMP Springhill and No Going Back at HMP Aylesbury.Simon Longman
Associate Artist
Simon Longman is a playwright from the West Midlands. His plays include Island Town (Paines Plough), Gundog (Royal Court), Rails (TBTL), White Sky (RWCMD/Royal Court), Sparks (Old Red Lion) and Milked (Pentabus Theatre Company). In 2018 he was awarded the 49th George Devine award for Most Promising Playwright. For Kestrel Simon was the writer on both our Broken Dreams projects with The Royal Court Theatre and has run our playwriting workshops in HMP Grendon.
Jason York
Associate Artist
Jason York is an actor on both stage and screen, mostly recently in Passages: A Windrush Celebration at The Royal Court Theatre, and The Home, an experiential entertainment about residential care. For Kestrel he has worked as an acting consultant for both Broken Dreams projects and for Jack Aladdin The Beanstalk. He also runs our Drama Club at HMP Springhill.
Eleanor Henderson
Associate Artist
Eleanor is a trained director, facilitator and actress, graduating from the Royal Conservatoire of Scotland and Royal Central School of Speech and Drama. She was Associate Director of Battersea Arts Centre’s Homegrown Company and has extensive experience as a director and leader of projects with young people and adults all over the UK and internationally. As an actress, she has performed in venues including Hammersmith Lyric, West Yorkshire Playhouse, Salisbury Playhouse and the Soho Theatre. For Kestrel, she directed Rio’s Extraordinary Christmas (HMP Springhill 2019), and also runs the weekly drama club with Jason York. She also directed ‘After Time’ as Kestrel’s contribution to Signal Fires.
Kestrel Ambassador
Nathanial Jacobs
We first met Nathanial at HMP Springhill were he took part in our first collaboration with the Royal Court, Blood and Water, and then in a short film The 360° Man. After leaving prison he got a place on the Sara Putt Associates Foundation Scheme in Film and TV, and since then has worked as runner, floor manager, and most recently as an editor for Netflix. He was also an actor in Secret Cinema’s version of Baz Lermann’s ‘Romeo and Juliet’. He has spoken about his work with Kestrel on a number of occasions including at On Form (pictured)